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'Gladiator from Screenplay to Screen.' In Winkler, Martin M. El cine de fin de milenio (1999-2000) (in Spanish).

^ CaparrГіs Lera, JosГ© MarГa JosГ© MartГn, JerГіnimo (2001).

PelГculas clave del cine histГіrico (in Spanish). 'Oscar-winning Producer David Franzoni Signs With Paradigm'. 'Rumi film will challenge Muslim stereotypes, says Gladiator writer'.

Inside Story: The Power of the Transformational Arc. Cine y derecho en 21 pelГculas (in Spanish). ^ Ortega GimГ©nez, Alfonso (17 December 2013).Filmography YearД¬o-written with Charles Shyer, Nancy Meyers and Chris ThompsonД¬o-written with John Logan and William NicholsonД«lack and White Stripes: The Juventus Story ДЇranzoni stated that the screenplay of King Arthur 'aims more for history than myth,' and again relied upon archaeological evidence in an attempt to create a more realistic human and political interpretation of the character. ДЇor Amistad, Franzoni decided not to use a standard narrative, explaining, 'the typical slant in this sort of film is to have the poor, chained black man arrive in the presence of the white guy, who has a good soul and fights the good faith to liberate the black man.' Franzoni was also the one who convinced Steven Spielberg to direct the film. Mannix, which detailed the Roman gladiatorial games. He started to write the story in the 1970s, after reading the 1958 non-fiction book Those About to Die by Daniel P. Franzoni's script for Gladiator was a revival of the sword-and-sandal genre, using characters very different from the original and drawing upon available historic and archaeological sources.

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